Beyond the Stars: Rocking Space is live!
Print to follow.
Beyond the Stars: Rocking Space cover reveal, home-to-be of my story “Curiosity”!
That’s a Julie Dillon cover. My name is ON a Julie Dillon cover. I can die happy now, ‘kay? *dies*
E-book release is slated for August 24th, 2019, print to follow.
Cover reveal for Vampires, Zombies, and Ghosts (Vol. 1), home-to-be of my story “Matchmaker, Matchmaker”!
*happy squeal* Is that not gorgeous?
In other news, I’ve also just signed the contract for a micro fiction to be included in Strange Stories, Vol. 1 with Forty-Two Books. More info on that (and more!) to come.
So far, all of my published work has been published through anthologies, and, as I’d just finished my last Stonecoast residency*, it’s come to my attention that the major drawback of anthology publications is that I can’t really use them as writing samples and examples. Typically, you have to buy the anthology in its entirety to read my story (especially since, so far, I’ve been toward the middle of the book, not in the preview pages) and that’s at least a $10 investment in an unknown.
This got me thinking about the pros and cons of anthology publication and magazine publication (both print and digital). Thus: handy-dandy bullet-pointed list, drawn from my limited experience (and, honestly, the ‘versus’ in the title is more for compare/contrast; neither is better than the other, though it amuses me to think of anthologies and magazines duking it out).
Know of any I’ve missed? Leave a comment, and I’ll add it to the list.
* In short, Stonecoast’s program has a ten-day intensive residency in Maine which is something like a combination of classroom and writing retreat. During residency, students attend workshops, seminars, panels, pop-up events, talks, and generally get six credit hours worth of material and hands-on writing experience compressed into ten wonderful, crazy-frantic, challenging days.
Question 1. What inspired you to write your Neon Druid story? (e.g. A tall tale told by an intoxicated uncle? A summer spent abroad on the Emerald Isle? A chance encounter with some creepy creature?)
Primarily, the open call. I stumbled across the posting on Duotrope calling for submissions for a Celtic urban fantasy anthology. I’d just finished writing the first Clay Atwater story which was, unfortunately, a novella and far too long, so I sat on it. A few days before the deadline, I’d been browsing fantasy images on Pinterest, looking for future inspiration, and I’d come across an image of a guy holding a glowing sword in one hand and a cell phone in the other. Somehow in my brain, this connected with the Clay story and premise of being challenged to find random objects by an ankou (seriously, it’s the most episodically designed story and world I’ve ever written so far and it came about by total accident). I Googled mythical swords in Irish mythology (not quite sure why I chose Irish, but I did) and—well, boom. I started writing and it just kept flowing.
Much to my shock, I managed to finish it before the deadline.
Question 2. What’s something that always seems to pop up in the stories you write? — something that is representative of your unique brand of writing (e.g. A whiskey-sipping protagonist? An invisible antagonist? A plot twist or big reveal that catches readers by surprise?)
This is… a level of self-reflection I rarely (if ever) contemplate. Um. Hm. There’s almost always a speculative fiction element—for some reason, I just struggle to find stories without one interesting enough to motivate me to write them. Lately, a lot of my writing has a lot of dead people in it—ghosts, vampires, zombies, sometimes just… people who’ve died. Or been murdered. I have a surprising amount of murder going on…
*long slow whistle* Just one?
Because I read a lot, and I’ve been sitting on this question now for well over a month, unsure how I could possibly answer it, I’m going to narrow this to just “biggest influence on the writing of this story.” Kate Griffin’s A Madness of Angels. Urban fantasy at its finest (in my humble opinion).
Question 5. Excluding your Neon Druid story, what piece of writing are you most proud of, and why? And, if applicable, where can readers find it? (Include a link!)
For simplicity’s sake, let’s go with what I’m most proud of that’s published, since my honest answer would have to be “whatever it was I just finished.” I’d have to say the honor would go to the first story I sold, “Jack Monohan, P.I. (Deceased)” which had a very strange journey to publication. I’d assumed it was, by far, the most unpublishable story for oh-so-many reasons and yet… it found a home. It’s rather old at this point but it’s still the first story someone else paid me for and the first time my writing was ever in an actual book. (Unearthly Sleuths)
Other than reading, I (casually) game (PC is my console of choice). I’m also an illustrator; my preferred medium is digital painting (though I often doodle with pen, pencil, and copier paper, usually in the margins of manuscripts and work documents). Oh, and occasionally the baking-bug infects me, usually after binge-watching the newest season of The Great British Baking Show, and I try my hand at pastries, pies, and chocolate, the spoils of which are given as (friendly) sacrifice to my coworkers at the library.
Question 9. What writing project(s) are you currently working on? Tell us about them and when/where readers will be able to find them.
In the long term, I’m trudging my way through a secondary-world fantasy, buddy-cop murder-mystery novel (say that five times fast!) with magic, gangsters, pseudo-gods, and memory-hoarding dragons. I’m also actively querying my last novel, an urban fantasy noir set in Chicago about immortal draugr, secret societies, assassination plots, political back-stabbery, and some really awful superpowers (truth-dowsing via migraines! What fun!).