Long Time, No Post

Well, it’s been a minute.

I haven’t updated this blog much, mostly because of a tandem of life events. If life events are meh, skip ahead to the more writing-related sections below.

The first: I now work full time and have health insurance through my job! Woo! As a person with chronic health conditions, health insurance, or the lack thereof, has been a fear hovering over my head since I was 14. For the hell of it, I once calculated what the uninsured cost of my life-preserving meds would be for a year (just the meds) and it came out to $136,000. Which is just, um, terrifying. And that’s just for the one condition (the MS) and for a good year (just the “keep it controlled” meds, not the “save me from my own rebellious immune system” meds, which are a great deal more expensive). To my everlasting gratitude, my work has promoted me to full time and now I health benefits!

Which neatly brings me to the next life event: part of the deal for full time was to also get my Master’s in Library Science, so I’m back in grad school and trying, oh so hard, to finish this whole program by summer of 2022. Because I refuse to turn 30 and still be working on (another) Master’s. I have rules. They may not be wise rules, but I have rules.

And thirdly, I gave myself the self-imposed deadline to finish drafting the current novel within the year. Because it would mean that I wrote a novel in a year, which is often the timeframe of publishing contracts, and my last, er, four books were each written over the course of two years+ (I think a year and a half was the shortest, but most averaged two and a half to three years). Specifically, I set December 10th as the deadline.

WHICH I HIT! AHAHAHAHAHAHAAA!

*ahem*

Though I failed in my original endeavor of writing fanfiction, I did, however, succeed in writing a 157,000-word novel in a year (started Jan. 6, finished Nov. 27). Well, I say finished, but it’s quite ready yet for beta-readers. I still have to name things. Because proper nouns are my great enemy and there are a lot of placeholders waiting for proper terms to be created. And in order to create those terms I, er, have to invent a language. So the draft is done, and hypothetically, you could read it through and it would make sense, it just…would have a lot of random ______ lines everywhere. Because that’s how I make placeholders. ______. Basically, the book looks like an a giant game of adlibs right now, but I’m working on it! Goal is to have a finalized, legible draft by January, and start lining up beta-readers for it.

Tentatively titling it Prophecy’s Exile. So, er, PE for short?

And because I can, the (also tentative) query blurb:

The Remdari Empire needs a navy to cover their retreat from an ill-advised war. The island nation of Odiřa has such a navy, but no reason to lend its services to their expansionist imperial neighbor. As the decennial treaty renegotiations loom, an alliance could be finagled—and naval support procured—if only Odiřa’s negotiator wasn’t a xenophobic nationalist whose most ardent prayer is for the entire Remdari Empire to sink into the sea.

Odiřa does have a prophecy, though, one foretelling the return of a great war hero who will kill the gods to teach them true divinity. Anyone attempting to fulfill it gains near instant renown, the kind that may stretch so far as replacing a certain anti-Remdari negotiator with one secretly loyal to the empire. The Remdari need a spy, an ambassador, an accomplished liar and cheat.

What they get is Gev Hyromius Caerus, a forty-year-old quartermaster with more of a talent for supply line logistics than killing mortal gods. Abducted from Remdar, deported to an ancestral homeland he’s never seen, and magically branded a criminal exile, Gev is pressed into service as an imperial spy. His goal: fake the prophecy long enough to earn a place at the negotiating table and save his empire’s ass. His reward: removal of the exile brand and the reinstating of his old life. The problem: that prophecy isn’t theoretical.

Bonus points if you can guess what IP sparked the idea for the failed fanfic that ultimately led to the novel.

I itch to start edits on it, but must wait till I complete this semester. Soon, though! Very soon. All those placeholders will be removed, words cut, words added, y’know. The usual.


I also attended my first in-person convention (WindyCon) since before the plague. It was good. It was also a bit nerve-wracking. Still not used to large crowds yet, and I question if I ever will be. However! The experience was incredibly validating for a multitude of reasons.

  • I sold books! Myself and a few other local writers often split a dealer’s room table to sell our books, and I not only sold out of the stock I’d bought for the convention, but made a good dent in my back-stock from pre-Covid times. I, shockingly, even managed to make a profit. Egads.
  • I did panels! I was even a surprise panel moderator (surprise, as in, surprise to me) on a panel with two highly successful professional authors and I was scared out of my wits! Wee! (Jody Lynn Nye and Seanan McGuire, who were both lovely to interview for this panel but also, -hyperventilates slightly-)
  • I received a contract for a story I sold and signed it! (More on that at the end of this post)
  • I received a partial request from an agent! Aaaaaah!
  • A representative from the convention art show tracked me down from one of my freebie bookmarks and demanded to know why I didn’t have my art in the art show. Which…I mean, there’s no actual reason, I’m not boycotting it or hiding from it, it just wasn’t on my radar? However, I did promise to submit my art to the show next year, so that’s now a thing? And it also gave me the impetus to pick up the digital brush and start painting again, which, I’m happy to note, that even after a year of stagnation, my skills haven’t atrophied. The muscles in my right hand, however…

DGB Query Trenches Stats:

  • 20 Queries Submitted
  • 2 partial requests (1 rejection, 1 pending)
  • 1 full request (ultimately rejected, but a nice one!)
  • 11 rejections
  • 9 still pending

I’m going to take a break for the holidays and come back to this in January, especially seeing that quite a few agents on my to-be-queried list have closed for the holidays as well. I’ll be honest, I’m actually rather shocked by my request rate, seeing that this book is an “unsalable” 186k words. 15% ain’t bad!


And lastly! My weird west short story, “A Cold Dark Line to Cross” will be published in Wicked West: A Summerstorm Press Anthology on December 1st! Sometimes, being dead gives someone a chance to be a better person than they were in life. To earn his permanent death, undead outlaw Gabe Dunn has one last member of his former murderous crew to kill, but doing so will mean confronting the man who made him into a monster. Teenage necromancers out for revenge, their personal ex-outlaw attack zombies, magic users with strange powers over animals, all chasing each other across the Mojave Desert in an alternate late 1800’s.


Here’s where I’ll wrap up. Happy holidays to those celebrating holidays during the coming season! Maybe next year (ye gods, I’m not ready for that!) I’ll finally reintroduce the month of books wrap-up posts. Or maybe I’ll try something new.

Either way, signing off.

GenCon 2019!

download (1)

Back from GenCon!

It was good! Though next time, I think I’ll find a hotel rather than a truck-stop motel. The motel was good for a motel, but, erm, seemed designed for one-night stop-overs rather than four consecutive nights. Next time, hotel. With breakfast. Breakfast would be lovely.

ANYWAY! Volunteered at the Writer’s Symposium, which was exhausting but in a good way. Kept me busy and I was still able to go to pretty much all the panels and presentations that I’d wanted (and ended up going to a couple unexpected ones, and missing a few that I realized weren’t quite what I thought they were when I registered). Oh! And got all the books I’d brought for signing signed by some of my favorite authors, which was awesome.

Take-aways:

  • This very clever revision/editing trick I’m going to use from now on for multi-viewpoint novels. Break the novel down into the individual character arcs and read those sections chronologically. It had been suggested as a way to maintain character voice, but I know the current book has a problem with redundancy and repeating character goals when I’m shifting to a viewpoint that I’ve been out of for awhile. This might help me weed through that.
  • I have been doing my query letters wrong. Kind of. See, I’ve been so damn focused on the concern of making my last book look marketable. Finding comps. Making it less threatening. But then, during a panel that, oddly, had little to do with querying, both an author and an agent pointed out that the thing agents and editors want is the opposite. Yeah, making sure your book isn’t totally out there is good, but more important is highlighting why it’s different. Thus, I’m doing another query revision before I send out my next batch, though this is going to take some work. Switching my focus from similarity to difference has, so far, been difficult, but I’m trying to be a little looser/free-er with my comps and let more of me, the writer, into my exceedingly business-like query. Seriously, looking at it, I realize I sound so, so terrified with my extreme professionalism—no, I’m not going to be unprofessional now, but it’s okay, I realize, to pitch the book the same way I pitch the book in person, i.e. with a bit of humor.
  • That said, more and more, I’m thinking I might need to re-title “In Blood.” As is, it works, but at the same time, it’s not really… *makes hand gestures* …y’know. It doesn’t stand out.
  • What to do when that horrible question comes up, when you tell people you’re a writer, and they say, “Oh? Anything I might’ve heard of?” The ANSWER: pull a copy of your book out of you bag and leave them to read the back cover copy while you keep doing whatever it was you were doing before they interrupted. That is genius.
  • Authors can be accused of a sort of distributor favoritism. If they post on their site a link to purchase their book but from only one distributor, though their book is available from multiple, the other distributors can call foul. The advice had been to just remove everything and leave if up to your publisher to put links to distributors on their page, but I figure I’m pretty small potatoes at this point—and everything I have published so far are short stories—so I’ve instead updated my publications list to include links to anywhere and everywhere you could possibly purchase my work. The distributors (when there are multiple) are now listed alphabetically, not in any order of preference. In future, though, I plan to follow the advice of no links whatsoever, but that’s not for awhile yet.
  • Confirmation of a level-up moment. I’d gone to one of the read & critique workshops, where you read three minutes of your work and a panel of authors/editors/agents give feedback. While I was listening to everyone read, editor-brain was critting and doing its thing (’cause it seems I can’t frickin’ turn it off when in a critique circle), and then the panel gave their feedback and probably about two out of three times, they critiqued the same thing I would’ve critiqued. They also caught a whole lot else I didn’t, but it was good to realize that I leveled up.
  • One (super important) reason why that whole book length and word count thing is so popular as a reason why your book is rejected. It’s actually not that much of a concern—if someone loves your long book, so long as it’s not 600,000 words, it’s workable—BUT it’s quantifiable. If someone is looking for a way to say “no” because it’s not their taste, they can cite the word count as a reason and it can’t be argued with. And suddenly I’m like, OH. So…it’s not a personal failing? I haven’t failed as a writer?
  • Some valuable reminders about how to write a fight scene.
  • Those bookmarks were far more popular than I thought they’d be. Instead of a handful, next time, I need to bring, like, 100, maybe more. They were all gone overnight. We’ll see if there’s an uptick in website traffic…

If I think of more, I’ll add to this post.

20190806_170855.jpg
The tower of signed books!

20190806_170953.jpg
And free books!

ICFA 40 (cont.)

20190315_142940

I’ve arrived! Well, two days ago, but this is one of the few times I haven’t been attending papers and panels and events, and had the chance to do a dress rehearsal of my paper. While in the hammock. Under the lovely Florida sun (this is only partially facetious; I managed to buy a pair of sunglasses so my antagonistic relationship with sunlight is a little less than usual).

So far, it’s been a blast and extraordinarily educational. I’m less than a neophyte academic, so I have much to learn (but I’m learning! I think…).

Anyway, have pictures of palm trees! And green! Which is so very, very not what Chicago looks like right now. (Also, my phone camera is old and terrible, and I’m not much of a photographer, so the quality is so-so)

ICFA 40

I’ll be heading out to ICFA 40 in Orlando next Wednesday to present my paper, “Story Promise: The Implicit Contract Between Writer and Reader” (’tis on Saturday, at 10:30am). This’ll be both my first ICFA and my first public presentation of a paper. I’ve done readings before, though they’ve tended toward small-scale, maybe-twenty-at-most crowds primarily made up of friends or friends of friends. The closest I’ve ever come to an academic paper presentation were the few I attended at WisCon about five years ago.

No idea what to expect, and it’s got me both terrified and thrilled. I’ve also never been to Orlando–or Florida, for that matter. I’m looking forward to the rather sudden change in weather. In Chicago today, it’s a high of 15°F, though it feels like 2°. In Orlando it’s 61°, and today is the coolest day this week.

52657739_1188589231300403_7692301072974479360_n

In other news, my new bookmarks came in! Since none of my bios in the anthologies have my website, I figured I needed something to point people here, but business cards (I feel) are the first things to end up in the trash after a convention. Bookmarks, however, serve dual purposes: they do promo while simultaneously being something useful. Since I’m only published in anthologies right now, I don’t have a snazzy book cover to throw on there, so the dragon in my header image found another home. Bookmarks bought through GotPrint.com, which offers rather affordable printing options.